Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts

Sunday, November 18, 2007

aha, Hirst outdone!!


Love his work, and seeing this reminded me of the work by Jim Dine who's work I haven't had a look at for some time, me thinks I shall re -investigate his work

Jeff Koons overtook Damien Hirst to become the world's most expensive living artist at auction when his Hanging Heart sculpture fetched £11.3m at a Sotheby's sale in New York yesterday.
The 9ft-tall sculpture was created in stainless steel and consists of a giant heart, weighing 3,500lbs (1,600kg), suspended from the ceiling by two delicate gilded strands and hovering 16 inches (40cm) from the floor. The sculpture took 10 years to complete and was bought by the United States-based Gagosian Gallery. It is one of five uniquely coloured versions of the work from Koons' Celebration series.
The previous auction record was for Hirst's pill cabinet, Lullaby Spring, which sold for nearly £10m at Sotheby's in June. Hirst's diamond-encrusted skull, entitled For the Love of God, remains the most expensive creation by a living artist. It was sold for £50m in a private sale in August.
Koons, a Pennsylvanian who has gained as much notoriety as adulation for his artwork over the decades, is seen by some to have provided inspiration for the Young British Artists movement of the 1990s.
Gaining prominence in the 1980s, he set up a factory-like studio in the SoHo district of New York and employed more than 30 staff for help in producing his work, in a similar style to Andy Warhol's famous "Factory".
Much like Hirst's work would do a decade later, Koons's early conceptual sculptures shocked and delighted in equal measure, including his large stainless steel blow-ups of toys and a series entitled Banality, which culminated in 1988 with Michael Jackson and Bubbles, a life-size, gold leaf-plated statue of the singer cuddling his pet chimpanzee, which was apparently the world's largest ceramic. It sold in 1991 for $5.6m, tripling Koons's previous sale record. This technique for enlarging mundane objects has also emerged in aspects of Hirst's work, including Hymn, an 18ft version of a 14-inch anatomical toy.
Cheyenne Westphal, the chair of contemporary art of Sotheby's in Europe, said it was clear that Hirst was an admirer of Koons' work. In an exhibition at the Serpentine Gallery, which showcased highlights from Hirst's own art collection, there were several pieces by Koons. "If you look at Koons' early work, such as his Hoovers and tanks, there is a direct correlation between this and Damien Hirst's work with formaldehyde. There's a very strong affinity between the two artists," she said.
In an era when artists were not regarded as "stars", Koons went to great lengths to cultivate his public persona by employing an image consultant and placing advertisements in international art magazines featuring photographs of himself surrounded by the trappings of success.
During personal appearances and interviews, Koons began referring to himself in the third person. His personal life continued to create controversy when he married the Hungarian-born porn star Ilona Staller and worked on Made in Heaven, a series of paintings, photographs and sculptures that portrayed the couple in explicit sexual positions.
His work has been bought by galleries and collectors around the world as well as Hollywood celebrities. His sculpture of a West Highland terrier is displayed outside the Museum of Contemporary Art in Sydney, and other works have been bought by the Guggenheim in Bilbao.
At the same sale, Francis Bacon's painting Second Version of Study for Bullfight No. 1, which he completed at the Royal College of Art in London in 1969, sold for £22.1m, more than £5m higher than its estimate, and his Self Portrait, painted when he was 60, sold for a £16m, more than double its estimated value. The total value of the sale was £152m.
source: Independent Arifa Akbar, Arts Correspondent


Wednesday, November 07, 2007

further looking!

following links that I scan usually delve a little deeper if it catches my eye - not to sure about having this sculpture in my living room but after seeing other work I like the use of mixed media and the technques used in their creation

by Rune Olsen


again delving that bit deeper, came across the original


in the trusted words of Rolf Harris "do you know what it is yet?"
Tako to ama
is an erotic woodcut of the ukiyo-e genre made around 1820 by the Japanese artist Hokusai. Perhaps the first instance of tentacle eroticism, it depicts a woman entwined sexually with a pair of octopuses, the smaller of which kisses her while the larger one performs cunnilingus. Hokusai created The Dream of the Fisherman's Wife during the the Edo period in when Shinto was making a resurgence; this influenced the piece's animism and playful attitude towards sexuality. It is a celebrated example of shunga and has been reworked by a number of artists. Similar themes of human females having sexual intercourse with sea life have been displayed since the 17th century in Japanese netsuke, small carved sculptures only a few inches in height and often extremely elaborate.


as mentioed, had a look at some of the more recent work, this I like

Thickskinned 2006 Graphite, masking tape, blue mannequin eyes, newspaper, steel, wire and acrylic medium 33" x 27" x 46"

Saturday, October 27, 2007

more cruising

Having spent an hour or two! looking around on the scarlet impernet I occasionally come across something that takes my eye, leads onto other things and sinks in to my lower depths of my mind - to be retrieved at some point and used as a reference or just sits there and scores on the intriguing/wow front. This is one of those occasions - cool sculptures, exploring more of the work through searching; apart from the instant visual humour, the concept being many of the works: are what attracts me to his work.

I am interested in the object, in liberating it from its field, giving it a new validity and meaning. It is integrated in a different system of values and ideas: in that of art. In this way it loses its function and takes on another. I do not want to go so far as to say that the object is no longer recognized. Rather I want to have the appeal of the recognition effect on the one hand and that of alienation on the other, which the object emanates. Source:Erwin Wurm interviewed by Desirée Schellerer, Design Vienna, (Austrian Museum of Applied Arts, February 16-March 27, 1989)

You may recognise one or two pieces - they have been taken further and used in an advertising campain regarding a greener environment (sorry, didn't save link along the way)



Erwin Wurm, one of Austria's most important and internationally famous sculptors, has been preoccupied with expanding the concept of sculpture since the 1980s. Wurm is primarily a sculptor, and traditional sculptural concerns such as the relationship between object and pedestal, the function of gravity, the fixing of form, and the manipulation of volume, play through all his work.

beats ashtrays and wobbly coil pots

Over the years I have dabbled with ceramics, through teaching it pupils and at various stages to adults during evening classes. It's not a medium that I have an infinity with, I struggle with its properties and have at times used it as a medium for small sculptures. Understanding different firing and glazing techniques is an area that as the years have gone past never really got to grips with. Visiting galleries and exhibitions I have recently seen a lot of ceramic work which I must admit does intrigue me, but not the bowls etc but more sculptural approaches. Sitting in our kitchen we have a piece by Eoghan Bridge titled:Rotund Horse and Rider which we acquired (courtesy of the Linda Blackstone Gallery)

Some time ago - well last December, I met an artist Kuldeep Malhi who was also exhibiting in the Sesame Saloon we shared a chat and a drink! I found his work beautiful and again strangely enough it was ceramic. I was facinated by the work, enquired on the techniques used and basically loved the organic and sensual shapes created.

here's an example:



Blush

Blush was a direct influence from early Indian sculpture especially the Eleventh Century temples of central India, their sculptures and carvings which display explicit erotic imagery are astoundingly beautiful, they charm and seduce. They are bold yet sensitive, fantastic yet poetic, demonstrating the intimate relationship between sculpture and architecture; sensations and qualities that are reflected in the work of Kuldeep Malhi.Dimensions for these pieces range from 6cm to 27cm. Each piece is fixed to the wall with a screw and can be removed easily. There are 15 pieces in each set, the number of pieces in a set can be increased or reduced through negotiation and priced accordingly. Currently all Kuldeep Malhi's wall installations are slip cast earthenware. Different colour ranges are available on all works.

Searching around as you do, I hit upon these ceramic pieces, which has sparked off my creative juices: formulating a new body of work based upon a piece a produced last year - 'its all .......' (acrylic on canvas)



where one piece will be ceramic based (will need to sharpen up my firing and glazing skills, or alternatively do a collaborative piece with Kuldeep, if he is agreeable!) More on this new body of work in a future post....


back to the plot!



The ceramic pieces that I came across are very different from the normal ceramics you see and apart from the comic book theme - batman, I find the concept and final outcome exciting. Any thoughts?

artwork by Shigeki Hayashi ( some incredible stuff)